Respected medical lecturer Dr. Frederick Frankenstein (Gene Wilder) learns that he has inherited his infamous grandfather's estate in Transylvania. Arriving at the castle, Dr. Frankenstein soon begins to recreate his grandfather's experiments with the help of servants Igor (Marty Feldman), Inga (Teri Garr) and the fearsome Frau Blücher (Cloris Leachman). After he creates his own monster (Peter Boyle), new complications ensue with the arrival of the doctor's fiancée, Elizabeth (Madeline Kahn).

A young Japanese singer is encouraged by her agent to quit singing and pursue an acting career, beginning with a role in a murder mystery TV show.

Our 11th October performance of Perfect Blue will be preceded by the European Premiere of brand-new short film, IDOLS.

Idols | South Korea, Japan, UK | 20 min.
Dir. by Matt Halsall

Kim Min-ha (Hojo Shin) has always dreamed of the spotlight. Now, nearing 30, she’s still chasing a K-pop debut while everyone else sees only her uncanny resemblance to superstar Park Hye-mi (Hojo Shin)—the woman she believes is living the life that should have been hers. 

Matt Halsall’s slick, darkly funny short turns that obsession into an increasingly unhinged psychological thriller. 

IDOLS made its world premiere at Fantasia before being selected for Sitges, Beyond Fest and Tokyo’s Yami International Film Festival.

Stanley Kubrick bent the conventions of the historical drama to his own will in this dazzling vision of a pitiless aristocracy, adapted from a novel by William Makepeace Thackeray. In picaresque detail, Barry Lyndon chronicles the adventures of an incorrigible trickster (Ryan O’Neal) whose opportunism takes him from an Irish farm to the battlefields of the Seven Years’ War and the parlours of high society. For the most sumptuously crafted film of his career, Kubrick recreated the decadent surfaces and intricate social codes of the period, evoking the light and texture of eighteenth-century painting with the help of pioneering cinematographic techniques and lavish costume and production design, all of which earned Academy Awards. The result is a masterpiece—a sardonic, devastating portrait of a vanishing world whose opulence conceals the moral vacancy at its heart.

Please Note: The film will be presented with a brief 5-10min intermission. 

Suzy (Jessica Harper) travels to Germany to attend ballet school. When she arrives, late on a stormy night, no one lets her in, and she sees Pat (Eva Axén), another student, fleeing from the school. When Pat reaches her apartment, she is murdered. The next day, Suzy is admitted to her new school, but has a difficult time settling in. She hears noises, and often feels ill. As more people die, Suzy uncovers the terrifying secret history of the place.

This performance will feature a live score performed by Hugo Max

The rich timbre of the viola perfectly captures the aura of Robert Wiene's The Cabinet of Dr. Caligari. My improvisations translate the film's angular painted shadows into unnerving melodies inspired by musical techniques that were evolving during the 1920s. The nefarious showmanship of Caligari invites theatrical and macabre sounds, in contrast with ghostly gestures evoking ‘the somnambulist' who is compelled to act against his will.

THE CABINET OF DR. CALIGARI : One of the most iconic masterpieces in cinema history, Robert Wiene's Das Cabinet des Dr Caligari shook filmgoers worldwide and changed the direction of the art form. Now presented in a definitive restoration, the film's chilling, radically expressionist vision is set to grip viewers again.

At a local carnival in a small German town, hypnotist Dr. Caligari presents the somnambulist Cesare, who can purportedly predict the future of curious fairgoers. But at night, the doctor wakes Cesare from his sleep to enact his evil bidding…

Incalculably influential, the film's nightmarishly jagged sets, sinister atmospheric and psychological emphasis left an immediate impact in its wake (horror, film noir, and gothic cinema would all be shaped directly by it).

In Wes Craven's classic slasher film, several Midwestern teenagers fall prey to Freddy Krueger (Robert Englund), a disfigured midnight mangler who preys on the teenagers in their dreams -- which, in turn, kills them in reality. After investigating the phenomenon, Nancy (Heather Langenkamp) begins to suspect that a dark secret kept by her and her friends' parents may be the key to unraveling the mystery, but can Nancy and her boyfriend Glen (Johnny Depp) solve the puzzle before it's too late?

Jack Torrance (Jack Nicholson) becomes winter caretaker at the isolated Overlook Hotel in Colorado, hoping to cure his writer's block. He settles in along with his wife, Wendy (Shelley Duvall), and his son, Danny (Danny Lloyd), who is plagued by psychic premonitions. As Jack's writing goes nowhere and Danny's visions become more disturbing, Jack discovers the hotel's dark secrets and begins to unravel into a homicidal maniac hell-bent on terrorizing his family.

In 1993, invited by David Lynch to come up with a low-budget genre movie, Michael Almereyda (Tesla, Experimenter, Hamlet) came up with a moody, postmodern reimagining of the Dracula myth which draws inspiration from Dracula’s Daughter (1936) and André Breton’s surrealist novel Nadja. 

The film follows estranged vampire twins Nadja (Elina Löwensohn) and Edgar (a young Jared Harris) as they reunite following their father’s death by the flamboyantly unhinged Dr. Van Helsing, played with relish by Peter Fonda. 

The film’s striking visuals combine high-contrast black-and-white 35mm cinematography with the hallucinatory grain of Pixelvision video, looking better than ever in this new 4K restoration of the director’s cut.

London Premiere of the New 4K restoration of the director’s cut c/o Arbelos Films and Radiance Films.