Driver is a skilled Hollywood stuntman who moonlights as a getaway driver for criminals. Though he projects an icy exterior, lately he's been warming up to a pretty neighbor named Irene and her young son, Benicio. When Irene's husband gets out of jail, he enlists Driver's help in a million-dollar heist. The job goes horribly wrong, and Driver must risk his life to protect Irene and Benicio from the vengeful masterminds behind the robbery.

A retired criminal profiler (William Petersen) reluctantly returns to the FBI to help track down a serial killer of families and is forced to consult an expert—the imprisoned Dr. Hannibal Lecktor (Brian Cox in a subtly chilling performance). The third feature written and directed by Michael Mann is a gripping adaptation of the first of Thomas Harris’s four novels featuring the iconic murderer, and benefits from the filmmaker’s typically striking visuals as well as a top-notch supporting cast, including Tom Noonan as the hunted killer, and three-time Oscar nominee Joan Allen (The Contender, 2000) as his blind love interest. 

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This new 4K Final Cut, overseen by Mann, enhances the film’s depth, visual clarity and sound, offering audiences the ultimate immersive version. Shot in 1985, MANHUNTER was on a frontier in both its subject matter and film form, initiating an impressive list of subsequent films and series.  

“40 years ago – though armed with Thomas Harris’ excellent novel, “Red Dragon” – its subject matter, the profiling of serial killers, as well as being shocking and raw, was unknown. When adapting, I wanted to make its storytelling deliver audiences into a certain state of threat and emotional engagement. Integral to that was the visualization and use of music with lyrics sometimes working like a libretto. We have carefully remastered the film to try to evoke that mood and intensity, heightened with audio sourced from the original 5.1 35mm analog masters. This latest iteration is that version of the film with which I’m most satisfied.” said director Michael Mann.  

Under the guidance of Mann, this 4K scan of the original 35mm negative – with a few shots from an interpositive - was conformed and digitally restored at L’Immagine Ritrovata in Bologna. Both the theatrical version and the UHD HDR & SDR video color gradings were performed by Stefan Sonnenfeld at Company 3 in Los Angeles with the director. Sound restoration was done at Audio Mechanics from an original 35mm magnetic 6-track printmaster to release a new 5.1 mix by Luke Schwartzweller at Fox. Technical coordination and deliveries were managed by L’Immagine Ritrovata. This project was supervised by Becca Mann and STUDIOCANAL team, Jean-Pierre Boiget and Delphine Roussel.  

For Michael Mann, the process is about renewing the film’s immediacy for contemporary audiences: “If the picture was left the way it was, it would be interesting, but you’d feel some distance …you’d be observing it somewhat.  I’m more interested in its original intent impacting you the same way it may have in 1986…that is, to bring you into it again in the original way.” 

As a film distinguished by its striking visual style, including Colleen Attwood’s costume design, Academy Award- winner Mel Bourne’s art direction, Dante Spinotti’s lighting, Mann worked with his long-time collaborator, Stefan Sonnenfeld (Company 3), to develop a new color grade for ‘The Final Cut’ that engages a contemporary audience while honoring the film’s lasting legacy. 

“A good example is the use of primaries and secondaries in combinations that don’t occur in nature for an unsettling ambiance or the use of blue for night-time imagery. We’ve changed values subtly sometimes, but significantly, to enhance the impact without changing the dramatic intent of the film,” said Stefan Sonnenfeld. 

He adds: “Michael… wants you to understand the story and the mood and the environment… and then asks you to interpret that in colour… He also tells you what emotion he’s trying to evoke from the scene.” 

The new version also introduces an HDR presentation, offering an intensified new experience. “So that nobody’s ever seen the movie like that,” noted Sonnenfeld. 

Nicolas Winding Refn (Drive) and Ryan Gosling (The Place Beyond the Pines) reunite in the highly acclaimed Only God Forgives - a stylish, mesmerising and thrilling journey through Bangkok's criminal underworld.

Julian (Gosling) runs a boxing club as a front for a drugs operation. He has everything he wants and is respected in the criminal underworld, though deep inside he feels empty.

When Julian's brother is murdered, his mother (Kristin Scott Thomas, Salmon Fishing in the Yemen) - the head of a powerful criminal organisation - arrives in Bangkok to collect her son's body. Furious with grief, she dispatches Julian to find his killers and 'raise hell'.

The stage is set for a bloody journey of betrayal and vengeance, culminating in a final confrontation and the possibility of redemption.

Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.

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A sorcerer and his apprentice are on a mission to kill an evil dragon to save the King’s daughter from being sacrificed according to a pact that the King himself made with the dragon to protect his kingdom.

Tarantino’s Kill Bill: The Whole Bloody Affair unites Volume 1 and Volume 2 into a single, unrated epic—presented exactly as he intended, complete with a new, never-before-seen anime sequence.

Uma Thurman stars as The Bride, left for dead after her former boss and lover Bill ambushes her wedding rehearsal, shooting her in the head and stealing her unborn child. To exact her vengeance, she must first hunt down the four remaining members of the Deadly Viper Assassination Squad before confronting Bill himself. With its operatic scope, relentless action, and iconic style, The Whole Bloody Affair stands as one of cinema’s definitive revenge sagas—rarely shown in its complete form and now presented with a classic intermission.

As armies mass for a final battle that will decide the fate of the world--and powerful, ancient forces of Light and Dark compete to determine the outcome--one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men. Yet, the sole hope for triumph over evil lies with a brave hobbit, Frodo, who, accompanied by his loyal friend Sam and the hideous, wretched Gollum, ventures deep into the very dark heart of Mordor on his seemingly impossible quest to destroy the Ring of Power.​